I'm a contemporary performance practitioner and a visual maker, based in Glasgow. I craft imagined worlds through DIY theatre, punk-art, and image led movement. Rooted in lateral-making and subconscious imagery, my work merges absurdity, abstraction, and melodrama. I build my own sets and costumes from recycled materials and trash, embracing maximalism to evoke visual abundance. This is both an ecological act and a declaration that spectacle isn’t bound by budget.

My work is mainly inspired by serialism, make-belief, associative streams of consciousness, and confrontational compassion. I'm drawn to present, embody and or celebrate things in their most extreme, grotesque form and driven to create dialogues around processing uncertainty amid global crises. Through expanding my artistic horizons, I aim to open up discussions, integrate diverse perspectives, and challenge conventional thinking—using creativity as a tool for kindness, connection, and transform collective imagination. As a neurodiverse artist, I view accessibility not as a constraint but as an artistic catalyst, integrating it in ways that enhance and empower the overall experience.

My research often centres around lateral thinking, new arrangements of what exists in reality, with attention to what it triggers in the mind. I consider the visual as the most crucial way of communicating with my audience . My visuals making is inspired by psycho-magic, and sustainable practices. My movement and writing practice are driven by body/ mind frequencies and urges. Inspired by Butoh, body weather, and body archive philosophies, I aspire to generate movement that is authentic and led by the state of the self and its surrounding sceneries. My writing practice incorporates spelling mistakes and accidents of dyslexia.